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Resume
Terry Toedtemeier
Fellowships & Awards
Acadia Summer Arts Program A.S.A.P. residency, Acadia National Park, Maine, 2006, 2004, 2003.
Oregon Arts Commission and the National Endowment for the Arts, American Masters Initiative, a $60,000.00 challenge grant in support of the Northwest Photography Series
Flintridge Foundation Fellowship, Pasadena, California, 2002
Regional Arts and Culture Council Masters Fellowship, Portland, Oregon, 2000.
Oregon Arts Commission Masters Fellowship, Salem, Oregon, 1990
Exhibitions
The Roots of Clouds - Transcendence of Stone; Sheehan Gallery, Whitman College, Walla Walla, Washington, February/March 2006
A Sense of Place – Environmental Art; Columbia Art Gallery, Hood River, Oregon, March, 2006
Central Oregon Art Center, Madras, Oregon; August 2005
Maryhill Museum, Maryhill, Washington, July 2005
Terry Toedtemeier: Places, pieces, and hidden histories. PDX Contemporary Art, Portland Oregon; January 25 – February 26, 2005
From Rimrock to Headlands: Geologic Features of the Oregon Country: Photographs by Terry Toedtemeier - Pendleton Center for the Arts, Pendleton, Oregon. February 2005
Terry Toedtemeier-Photographs, James Lavadour-Paintings. Clatsop Community College, Astoria, Oregon, February 2004
Lewis and Clark Territory: Contemporary Artists Revisit Place, Race, and Memory. Tacoma Art Museum, Tacoma, Washington February 12 – June 6, 2004
Geographies Of The Same Stone – Recent Work by Terry Toedtemeier, October 2003, PDX Fine Art, Portland, Oregon.
August 2003, Acadia Summer Arts Program group exhibition, Northeast Harbor, Maine.
The Land Through A Lens - Highlights from the Smithsonian American Art Museum, Washington, D.C., catalog by Andy Grundberg; 2003-2005 touring exhibition to: Samuel P. Harn Museum of Art, U.F. Gainesville, FL; National Museum of Wildlife Art, Jackson Hole, WY; Lauren Rogers Museum of Art, Laurel, MS; Louisiana Arts and Science Center, Baton Rouge, LA; Lakeview Museum of Arts and Sciences, Peoria, IL.
December 2002: Sightseers and Sites Unseen, Northview Gallery, Portland Community College, Sylvania Campus, Portland, Oregon.
October, 2002: Terry Toedtemeier - Photographs of Central Oregon and Points East and West, Pinckney Center for the Arts, Central Oregon Community College, Bend, Oregon
November 2001 - January 2002: Northwest Narrative, Portland Institute for Contemporary Art (PICA), Stuart Horodner curator.
April 2001: Between Light and Shadow: Photographs and Prints from the Gary Bettis Collection, Boise Art Museum, Boise, Idaho.
November 2000: Landforms From Molten Rock: Photographs by Terry Toedtemeier, the Feldman Gallery of the Pacific Northwest College of Art, Portland, Oregon.
October 2000: Invasive Basalt, PDX Fine Art, Portland, Oregon.
September 1999: Photographers of the Oregon Landscape, Portland Community College, Oregon.
July 1999, group exhibition at S.K. Josefsberg Studio, Portland, Oregon.
March 1999, Seeing Through Photography, Sheehan Gallery, Whitman College, Walla Walla, Washington.
November 1998, Photographs by Terry Toedtemeier, offices of the Oregon Council for the Humanities, Portland, Oregon.
October 1998: The Collection of Richard and Judith Smooke, The Sun Valley Center for the Arts, Sun Valley, Idaho.
March 1998: Tidbit Gallery, Portland, Oregon (organized by Randy Gragg).
January 1998: “Nowhere Special” Elizabeth Leach Gallery, Portland, Oregon.
November 1997: Pratt Museum, Homer, Alaska state.
October 1997: Dana Gallery, University of Montana, Missoula (recent work).
September 1997: Portland: Black and White, Froelick Adelharrt Gallery, Portland, Oregon.
May 1997: Gail Gibson Gallery, Seattle Washington.
April 1996: Basalt Exposures, Schneider Museum of Art, Ashland, Oregon.
March 1996: Basalt Exposures, Washington State University Museum of Art.
September 24 - December 9, 1995: Basalt Exposures (a 15 year retrospective of 100 photographs), The Art Gym, Marylhurst College, Oregon.
September 1995: Terry Toedtemeier - Selected Works, 1983-1995, Elizabeth Leach Gallery, Portland, Oregon.
April 27 - July 9, 1995: Crossing Borders: Challenging Ecological Thinking, The University of Oregon Museum of Art, Eugene, Oregon.
December 1994: Regional Landscape Photography, S. K. Josefsberg Gallery, Portland, Oregon.
November 1994: High Desert Photographs, Elizabeth Leach Gallery, Portland, OR
March 1994: r.e., place, an exhibition of site-oriented contemporary landscape photography, Portland Community College, Portland, Oregon.
February 1994: East Coast/West Coast Photo Invitational, touring exhibition organized by the Memphis College of Art, Memphis, Tennessee.
January 1994: Public Encounters - Selections from the State of Oregon's Percent for Art Collection, A.N. Bush Gallery, Salem, Oregon.
June 1993: Central Washington Museum of Art, Wenatchee, Washington.
March 1993: West to the Oregon Territory, Maryhill Museum, Washington.
September 1992: Basalt Exposures, Elizabeth Leach Gallery, Portland, Oregon.
July, 1992: Spirit of the West, traveling group exhibition, curators Tommy Griffin, Dennis O'Leary, Vicki Halper, and John Weber.
March 1992: Between Home and Heaven: Contemporary American Landscape Photography, a touring exhibition organized by the National Museum of American Art, Smithsonian Institution, Washington, D.C.
February 1992: Recent work, Governor's office, Oregon State Capitol, Salem, Oregon.
January 1992: Recent work, gallery of the art department of Mount Hood Community College, Gresham, Oregon.
November 1991: Recent work, Wentz gallery, The Pacific Northwest College of Art, Portland, Oregon.
October 1991: New Visions, Photographs of the Contemporary Western Landscape, Renshaw Gallery, Linfield College, McMinnville, Oregon.
October 1991: The University of Oregon Museum of Art, Photography at Oregon Gallery annual auction & exhibition, Eugene, Oregon.
April 1990: Barbara Fealy's Gardens, invitational exhibition; catalog, Marylhurst College, Oregon.
March 1990: Contributing Artist: The Oregon Art Community, 1839-1989. The Oregon Historical Society, Portland, Oregon.
January 1990: Northwest Photographic Invitational, Kerns Art Center, Eugene, Oregon.
January 1990: Contemporary American Photography in the Soviet Union, invitational exhibition touring Lithuania, Estonia, Ukraine, Moscow and Minsk. Organized by Jeffery Krater in cooperation with the Photographic Art Society of Lithuania.
October 1989: The Columbia Gorge, gallery of the Oregon Health Sciences University, Portland, Oregon.
September 1989: Invitational exhibition, Timberline Lodge, Oregon.
April 1989: The Columbia Gorge, Maryhill Museum of Art, Washington state.
October 1988: the gallery of the Portland School of Art, Portland, Maine.
September 1988: Wentz gallery of the Oregon Art Institute, Portland, Oregon; exhibition of recent work of four faculty members of the Pacific Northwest College of Art.
September 1988: The Photographic Image Gallery, Portland, Oregon; group exhibition of photographs of the Columbia Gorge.
January 22, 1988 - February 20, 1988: The San Francisco Museum of Modern Art. Group exhibition: Road and Roadside: American Photographs, 1930-1986. Curators Russ Harris (the Art Institute of Chicago) and Rhondal McKinney (Illinois State University) and shown at these institutions July-September and March-April, 1987.
October 6, 1987 - The Museum Gallery of the Sumner School, Washington, D.C., America's Uncommon Places: The Blessings of Liberty, group exhibition of sites from the National Register of Historic Places, curator Eric Paddock (the Colorado Historical Society) and organized by The Society for Photographic Education and The National Trust for Historic Preservation with funding from the Eastman Kodak Company.
September 1987: Blue Sky Gallery, group exhibition (gallery founders).
October-December, 1986: Vollum Art Center, Reed College, Portland, Oregon; one person exhibition of recent photographs of the Columbia River Gorge.
September-October, 1986: Blue Sky, Portland, Oregon; Tenth anniversary exhibition.
January-February, 1986: Blackfish Gallery, Portland, Oregon; invitational group exhibition titled: Artist Interprets the Landscape.
November-December, 1985: Marylhurst College, Oregon; group exhibition.
August-September, 1985: Sheehan gallery, Whitman College, Walla Walla, Washington.
April-May, 1985: The Portland Art Museum, Portland, Oregon; group exhibition of work by the faculty of the Pacific Northwest College of Art.
1983 to date: Curator of Photography, Portland Art Museum, Portland, Oregon.
May 1981- July 1984: Carpenter Center for the Visual Arts, Harvard University, Cambridge, Massachusetts; touring invitational group exhibition “Second Sight, an aesthetic and technical exploration of infrared photography.”
November 1981: Wentz gallery of the Oregon Art Institute, Portland, Oregon.
Nov. 1980: The Evergreen State College, Olympia, Washington; invitational touring group exhibition “Current Directions in Northwest Photography.”
1980: Eight Portland Photographers, the Portland Art Museum, Oregon.
Nov. 1979: Columbia Gallery of Photography, Columbia Missouri (recent works).
Oct. 1979: Regional Photography and Printmaking, traveling exhibition, The Evergreen State College, Olympia, Washington.
March 1979: The Image Gallery, Copenhagen, Denmark.
Feb. 1979: The Henry Gallery, University of Washington, Seattle, Washington; group exhibition of the collection of Mr. Joseph Monson.
Dec. 1978: The Image Center for Photography, Arahus, Denmark; one-person exhibition of infrared photographs.
Dec. 1978: Rice University, Houston, Texas; one-person exhibition.
Dec. 1978: The Institute of Contemporary Art, Philadelphia, Pennsylvania; opening of Some Twenty Odd Visions, a touring exhibition of contemporary American photography.
Sept. 1978: the White Gallery, Portland State University, Oregon.
March 1978: University of California Extension, San Francisco, California.
Dec. 1977: University of Pennsylvania, University Park, Pennsylvania.
Sept. 1977: The Portland Center for the Visual Arts, Portland, Oregon; group exhibition organized by Bill Hoppe.
Aug. 1977: The Stanford Art Museum, Stanford, California; work from the collection.
Dec. 1976: The University of New Mexico, Albuquerque, New Mexico.
Sept. 1976: Blue Sky, Portland, Oregon; one-person exhibition.
Oct. 1975: Blue Sky, Portland, Oregon; opening group exhibition.
Essays & Publications
“Rock Stories” essay and photographs in Roots of Clouds – Transcendence of Stones, Boyden, Boyden, and Toedtemeier; Donald H. Sheehan Gallery, Whitman College, Walla Walla, Washington, in cooperation with Crab Quill Press; 2006
“Photography's Love Child: The Origins of the Snapshot” essay in Snapshot Chronicles, Princeton Architectural Press and The Reed Institute DBA Reed College, 2006
“Ian Boyden and ‘Meditations on the Breath of Trees'” exhibition brochure, Pendleton Art Center, Pendleton, Oregon, 2005
Exhibition brochure: “The Power of Toys and the Emperor Reincarnate: The Art of Jim Riswold” at Augen Gallery, Portland, Oregon, 2005
“Photography, Beauty and Change in the Columbia River Gorge: The First 50 Years” Maryhill Museum of Art, March 15-July 4, 2005.
“Focusing on the Columbia Gorge – Photography, Geology, and the Pioneer West Oregon” Historical Society Quarterly, pgs. 422-437; Vol. 105, No. 3
Lewis and Clark Territory: Contemporary Artists Revisit Place, Race, and Memory. Exhibition catalog of the Tacoma Art Museum, Tacoma, Washington 2004
Oregon Geographic Names, 5th edition, Lewis A. McArthur, Oregon Historical Society Press and Washington State University Press, 2003. Cover photograph.
The Land Through A Lens - Highlights from the Smithsonian American Art Museum, Washington, D.C., exhibition catalog by Andy Grundberg, 2003.
"Headlands on the Minus Tide - Photographs from the Northern Oregon Coast," (cover story) Terry Toedtemeier, Open Spaces, Vol. 5, issue 1, 2002.
“Paintings Than Kindle Joy: Conversations With James Lavadour” James Lavadour: Intersections (new work), exhibition brochure, Maryhill Museum, 2002
Art in America, April 2001, review by Professor Sue Taylor of the exhibition: Invasive Basalt (PDX Gallery, October, 2000); pg. 149-150, illustration.
Photographs for “Dalles Mountain Ranch,” Museum of Natural & Cultural Heritage of the East Columbia River Gorge, Darlene Highsmith Bleakney, March 2000, Lynx Communication Group, Inc., Salem, Oregon.
“Framing (Photography) In Oregon,” Oregon Humanities - A Journal of Ideas and Perspectives, Spring 2000, Oregon Council for the Humanities, Portland, Oregon.
Review: Four Landscapes, Randy Gragg and others, Plasm Magazine, #21, June, 1999, Plasm Media, Portland, Oregon.
Seeing Through Photography, brochure by Rick Masteller, for the exhibition Seeing Through Photography, Whitman College, Walla Walla, Washington, held March 1999.
Universe - A Magazine of Research, Scholarship, and the Arts, illustrations for: The Breath of the Earth - Of Time and the Carbon Cycle, Washington Statue university, Spring, 1998.
Review: Time and the Living Landscape, an article reviewing the exhibition "Nowhere Special." Randy Gragg, The Oregonian, January 28, 1998.
Introductory photograph: Quantum Soliton: Experimental Progress and Perspectives, by Andreas Sizman, Applied Physics B., publisher, 1998
Art in America, April 1996, pg. 123-4, review of Basalt Exposures by Tracy Smith.
Witch of Kodakery, The Photography of Myra Albert Wiggins, 1969-1956; by Carole Glauber, 1996, Washington State University Press, introductory essay.
Heritage Lost - Two Grand Houses Through the Lens of Minor White, Fred DeWolfe, Oregon Historical Society Press in cooperation with the Portland Art Museum, 1995: introduction; image sequencing; limited special edition.
Oregon Geology - a publication of the Department of Oregon Geology and Mineral Industries, cover photograph; September/October 1995.
Basalt Exposures, exhibition catalog from a 15-year retrospective exhibition at Marylhurst College. Essay by Terry Toedtemeier, after word by Robert Adams, designed by John Laursen at Press 22; © 1995, Terry Toedtemeier, Marylhurst College, Oregon.
Review: Reflex, vol. 9, no. 10, November, 1995; Impeccable Eye, Technique to Match, by Nadine Fiedler; illustration.
Contemporary Art in the Northwest, Lois Allan, Craftsman House in association with G+B Arts International, 1995; essay and three illustrations.
Photographing the American West, brochure essay for an exhibition of the same name at the Paris Gibson Museum of Art, Missoula, Montana, held January 1995.
“r.e., place,” essay for Portland Community College exhibition, March, 1994.
Across the Great Divide -- Terry Toedtemeier's High Desert at Elizabeth Leach Gallery, review by Lois Allen, Artweek, December 1, 1994.
“Basalt,” photographs and essay, Northwest Review, Vol. 32, No. 1, 1994, Eugene, Ore.
“Oregon Photography: The First Fifty Years,” Oregon Historical Society Quarterly, Spring, Vol. 94, No. 1, pgs.36-76, illustrated article.
“Solitons in Nature,” by Doctor Yuji Kodama, Nikkei-Science (the Japanese edition of Scientific American), December 1992.
“Unity in the Science of Physics,” James A. Krumhansel, Physics Today, March 1991.
Oregonian - article by Joel Weinstein; Sept. 25, 1992; 'Photo show takes on forces of nature'
Between Home and Heaven: Contemporary American Landscape Photography, exhibition catalog by the National Museum of American Art, Smithsonian Institution,
Washington, D.C., distributed by Fotofolio, Inc., New York, N.Y.
Between Home and Heaven: Review by Richard B. Woodward, ARTnews, Nov. 1992.
Nature's Underside, review by Randy Gragg, November 8, 1991, The Oregonian News.
Contributing Artist: The Oregon Art Community, 1839-1989. Prepared by J.D. Cleaver of the Oregon Historical Society, Portland, Oregon.
Art in the Eighties, December 31, 1989, The Oregonian Newspaper.
Foto Fest, The International Month of Photography, 1988, (page 211) Published by Foto Fest, Houston, Texas.
150 Years of Photography: Photographs from Private Collections in the Portland Area, December 1988, exhibition catalog.
Robert Adams, To Make It Home, Aperture Press, New York
Perspectives 7: Roy DeCarava, April 1987, The Portland Art Museum.
Perspectives 10: Robert Adams, November 1987, The Portland Art Museum.
Perspectives 16: Christopher Rauschenberg: a mid-career retrospective, February 1991, The Portland Art Museum.
Exposure, Vol. 25, No.3 (Fall 1987), a quarterly publication of the Society for Photographic Education, Albuquerque, New Mexico.
Newsletter for Photo Educators, Vol. 20, No. 2, 1987, published by the Eastman Kodak Company, Rochester, New York.
Photographic Artists and Innovators (listing), Turner Brown and Elaine Partnow; published by MacMillan, New York, 1983.
Electric Flash Photography by Ronald G. Carraher and Colleen Chartier; Van Nostrand Reinhold, 1980, Littleton Educational Publishing, Inc.
Blue Sky, 1975-1980, Anniversary of an Alternative, The Oregon Center for the Photographic Arts, 1980, Pair-o-dice press.
Foto and Smallfilm Magazine, September 1979, Ravensborggade, Denmark; article titled: "Modern American Photography."
The Professional Photographer, PAA Publications, Des Plains, Illinois, January 1979; a photograph and article on "Some Twenty Odd Visions."
Afterimage - January 1978; published by Visual Studies Workshop, Rochester, New York
Some Twenty Odd Visions, The Oregon Center for the Photographic Arts, 1978, Pair-o-dice press, Portland, Oregon.
Creative Camera, Coo Press Ltd., Sept. & Dec., 1976, London, England.
Collections
Oregon Health Sciences University
Oregon State Library, Salem, Oregon
Multnomah Co. Library, Portland, Oregon
Tacoma Art Museum, Tacoma, Washington
Vulcan Northwest, Seattle, Washington
Jean Vollum, Portland, Oregon
Gary Bettis, Boise, Idaho
The Museum of Fine Arts Houston, Texas
The Art Museum Princeton University, Princeton, New Jersey
Richard and Judith Smooke, Sun Valley, Idaho
San Francisco Museum of Modern Art California
National Museum of American Art, Washington, D.C.
Robert Adams, Astoria, Oregon
Portland Art Museum, Portland, Oregon
Seattle Art Museum, Seattle, Washington
Stanford Art Museum, Stanford, California
State of Oregon Public Lands Collection
State of Oregon Department of Geology and Mineral Industries
Springfield University, Springfield, Illinois
Joseph and Elaine Monson, Seattle, Washington
Lewis and Clark College
Washington Arts Commission
Oregon Health Sciences University, Portland, OregonState of Oregon Capitol Collection
Oregon State University, Library Collection, Corvallis, Oregon
Washington State University, Museum of Art, Pullman, Washington
James Winkler, Portland, Oregon
Ashforth Pacific Art Collection
Cirrus Digital Imaging
Selected Professional Activities
2002
Flintridge Foundation Fellowship for the Visual Arts; Pasedena, California.
2001
Joshua Tree National Park, California; Artist in Residence Fellowship, April.
Awards Artist: The Governor's Arts Awards in Oregon, March, brochure.
2000
Regional Arts and Culture Council Visual Artist Fellowship, Portland, Oregon.
1999
Art Beat award artist, Sylvania, Rock Creek, and Cascade members of the Portland Community Colleges, Portland, Oregon; May, 1999.
1997
Introduction to The Witch of Kodakery -- The Life and Times of Myra Albert Wiggins, Carole Glauber, Washington State University Press, Pullman, Washington.
1995
Introductory essay: Heritage Lost -- Two Great Houses Through the Lens of Minor White, Fred De Wolfe, The Oregon Historical Society Press.
Retrospective exhibition: Basalt Exposures, September 1995, the Art Gym, Marylhurst College, Marylhurst, Oregon; one hundred photographs, catalog.
1995 - 1998
Founding board member of Gorge Trust -- a land trust for the Columbia River Gorge and its communities; founding, funding and planning activities; three-year term.
1994
Curatorial essays: the history of photography; photography in the American West; photography in the nuclear age; Minor White in Oregon, 1938-42 (see publications).
1993
Project Director, Phase II construction of the Gordon and Vivian Gilkey Center for Graphic Arts, Portland Art Museum, Portland, Oregon.
1992
A History of Oregon Photography - Centennial Exhibition, Portland Art Museum.
1990
Oregon Arts Commission Masters Fellowship.
1989
The History of Photography - A Sesquicentennial Celebration, Portland Art Museum.
1987
Oregon Arts Commission Photography Fellowship.
Center of the Eye Desert Workshop with Lee Friedlander, French Glen, Oregon.
National Trust for Historic Preservation bicentennial project, America's Forgotten Places: the Blessings of Liberty; national touring exhibition. Catalog.
1980
Interim Curator of Art, Washington State University Museum of Art, Pullman.
1980
Co-curator: American Photographs, 1970-1980, the Washington State Consortium of Art Museums. Catalog.
1979-83
National Endowment for the Arts research and exhibition grants for: Passage Through Time, the Oregon Historical Society, August, 1983; Wild Beauty - Photography of the Columbia River Gorge, 1865-1915, the Portland Art Museum, April, 1984.
1978-1993
Instructor of photography and eventual Associate Professor of Photography and History, the Pacific Northwest College of Art.
1977
Artist in residence, Lewis and Clark College, Portland, Oregon.
1975-1980
Co-founder and co-director of Blue Sky gallery, Portland, Oregon.
1973-1974
Media Services, The Evergreen State College, Olympia, Washington.
1969-1972
Media specialist, The Teaching Research Division of the Oregon State System of Higher Education, Monmouth, Oregon; National Special Media Institutes, U.S. Office of Education, Washington, D.C. (1970-1971); "Sesame Street", Children's Television Network, New York (1971-1972).
1965-1969
Oregon State University; Bachelor of Science, Geology.
Lectures & Presentations
“Photography of the Columbia River gorge - the first 50 years” Keynote presentation at the annual meeting of the Friends of the Columbia Gorge, Skamania, Washington, 2006
‘Photography, Geology, and the American West' presented as an alumni speaker at the October 2005 Oregon State University homecoming alumni program: Classes Without Quizzes, OSU, Corvallis, OR
‘Photography, Geology, and the American West'; Presented as a keynote address at GeoFest, the annual meeting of U.S. Forest Service Geologist, September, 2005
Photography of the Columbia River Gorge, 1865-1965; a lecture for the Annual National Rivers Conference, Skamania Lodge, Washington, April, 2003.
Seminar presentation, Columbia River Basalt: An Artistic and Geologic View, for the 38th Congress of the Federation Internationale des Conferies Bachiques, 18 May, 2001.
Lecture: Alfred Stieglitz and the PhotoSecession - From Pictorialism to Modernism, The Sun Valley Center for the Arts, Ketchum, Idaho, February, 2001.
Lecture: Carleton Watkins: Unifying Art and Science in the Photographs of the Pacific Frontier; San Francisco Museum of Modern Art, June 17, 1999.
Changing Colors: a workshop on toning black and white photographs; Crow Shadow Institute, Pendleton, Oregon; April, 1999.
What geologists call an "Explanation" -- Terry Toedtemeier: on his photography, Portland Community Colleges, Rock Creek, Sylvania, and Cascade campuses, Portland, Oregon, 1999.
Peculiar to Photography, slide lecture for the exhibition Seeing Through Photography, Sheehan Gallery, Whitman College, Walla Walla, Washington; March 5, 1999.
“About Photographing Basalt,” a slide lecture, Blue Sky Photography Gallery, Portland, Oregon; February 11, 1999.
Hope Photographs: Thoughts from a Historic Perspective, slide lecture at the University of Oregon Museum of Art, Eugene, Oregon, February 17, 1999.
Basalt Exposures - Resistant and Recurrent Forms, slide presentation and symposium at Washington State University, Pullman, Washington, held January 14-16, 1999.
Framing the Frontier - 19th Century Photography in the American West, slide presentation at Cheney Cowles museum of Art, Spokane, Washington, November 1998.
“Photography and Censorship,” slide presentation, Portland State University, Portland, Oregon, March 1998.
Mysteries on a Plate of Glass - Early Photography of Egypt, slide presentation, the Portland Art Museum, Portland, Oregon, 1998
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